Deborah Solomon interviews Josh Schwartz and asks my question about the show:
Why are the characters uniformly white, with old-money names like Blair Waldorf and Serena van der Woodsen that hark back to a time when high society was not integrated? Why are there no Jewish characters? It’s interesting, because on “The O.C.” I went out of my way to make those characters Jewish, not what you would expect to find in Orange County. But in New York, weirdly, I failed. I was working off of the source material.
Fair enough, but if accurate this just seems like a serious flaw in the source material. Asking for Jewish characters in a depiction of rich people in New York City isn't a plea for diversity for diversity's sake, it's just that New York day schools are full of Jews.


Asking for Jewish characters in a depiction of rich people in New York City isn't a plea for diversity for diversity's sake, it's just that New York day schools are full of Jews.
In reality, that's true. But keep in mind that the plea for every new TV show is that it will "play in Peoria." The wide swatch of the TV-watching audience doesn't have any first or second-hand experience with elite private schools in Manhattan, and TV shows that market to that audience are going to feed into the preconceived notions of what they think that elite Manhattan life is like.
Somewhere, I'm sure there's an audience of people that want to watch a program about high schools populated entirely with students with names like Blair Waldorf and Serena van der Woodsen, because that's what they think it is like on the UES, and Gossip Girl apparently fulfills that niche.
Posted by Tyro | October 14, 2007 3:04 PM