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Gangster's Paradise

05 Nov 2007 10:45 am

I went to see the good-but-not-great American Gangster on Friday, and yesterday spent some time reading Marc Jacobson's 2000 New York profile of Frank Lucas (on which the film is based) and his more recent piece where he puts Lucas together with Nicky Barnes for a chit-chat. This all made me think of Oscar Wilde's remark upon witnessing the scene at Jesse James' house following his death: "The Americans certainly are great hero worshippers, and always take their heroes from the criminal element."

There seems to be something to that. But is it really different elsewhere? I'm not all that familiar with the popular culture of any other countries.

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Comments (23)

Reggie Kray - do you know my name?
Don't say you don't
Please say you do.

I think the appeal of a strong confident self-made man is universal. its not just Americans.

How else to explain Britain's continuing obsession with the talentless and wholly unappealing Pete Doherty?

Roughly half the participating electorate sent Bush-Cheney to the White House TWICE. Any doubts people in the U.S. worship or idolize criminals was put to rest in '02 and '04.

Oops. meant '00>'04

I know in Brazil, people made folk heroes out of rural bandits. I don't know if they do the same with modern urban gangsters, but I believe they do.

And, um, Robin Hood. And Jonathan Wilde.

If you read the book Extraordinary Popular Delusions and the Madness of Crowds, a classic from the 19th century, it has a chapter on criminals/bandits as popular heroes. It's particularly interesting since all you could easily put many 1930s gangsters or Western bandits in the same text.


Funny you should say so on Guy Fawkes Night. Oddly enough, when I first went to the UK I thought (or should I say assumed) that the point was to celebrate Guy Fawkes and his anti-establishment plot. Stupid American: the point is to celebrate the failure of his plot and the successful confession-by-torture that followed.

Unsurprisingly, the Ozzies are also known to mythologize their own criminal history - think Ned Kelly, Mad Dan Morgan, and other bushrangers. Having started as a penal colony, it's hard to blame them though.

Australia has Ned Kelly as an outlaw folk hero, although he at least had the chutzpah to charge armed police while wearing 96 pounds of scrap iron as armor, which is more than Jesse James ever did.

The English have recently not mythologised gangsters so much - the last were the Kray twins (gangsters) and the Great Train Robbers of the 1960's (Lock, Stock & 2 Smoking Barrels notwithstanding)

There are of course some truly legendary outlaws from further back - the highwayman in the late 18th century (of whom Dick Turpin is the most famous) and the grandaddy of them all: Robin Hood, way back in the C13th.

The Scots, like many mountain people, used to have a fondness for stories about half-bandits/half-rebels like Rob Roy.

Jean Valjean? He stole a loaf of bread.

Here's an easy one, from India: Veerappan!

Synge's Playboy of the Western World is a satire of the Irish attitude towards criminality as long as they don't have to actually see it. The playboy is a hero to the crowd when they hear that he killed his father, but repulsive to the crowd when they actually see him do it. (His father is a resilient man and requires killing over and over again.)

Irish folk songs, particularly "Whiskey in the Jar" and "Newry Highwayman", strongly imply that at least Irish culture is similar to American in that regard.

I don't know anything about the film or the question at hand, but the Jay-Z video that goes along with it is pretty good.

http://youtube.com/watch?v=wiuNd5SoU8E

Notice the prevalent use of 500 Euro notes? The right-wingers think it's a sign of impending economic collapse.

Well, this is ficton, but I would direct you to the sublime Odessa Tales of Isaac Babel, starring the unforgettable Benya Krik.

We often even select our leaders from the criminal element. Witness the outlaw Bush.


those citing english and irish sources are likely double-counting (those sources likely are, at least in part, the roots of the american veneration of the outlaw, rather than proof that other cultures do same).

regardless, i wouldn't be surprised that a nation of immigrants -- who obviously weren't doing so well wherever they were from that they didn't think it made sense to leave -- would be more willing to view outlaws as heroes speaking truth to power. e.g., anyone know if japan traditionally has similar attitude towards outlaws? or germany? or india?

south america obviously shares much in common with US, and outlaws/rebels are venerated there, as well, so far as i know.

Considering the amount of yakuza imagery in Japanese anime and manga, as well as mainstream Japanese film, I'll second Japan.

Well one may - dending on who you ask - consider Robin Hood.

I'd count Hong Kong in on this count too, with all their gangster movies.


Comments closed November 19, 2007.

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